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Stone Buddha at Usuki, Hiratsuka Un’ichi, 1940. Woodblock print, 15-3/8 x 18-1/2 inches. Los Angeles County Museum of Art, gift of Mr. and Mrs. Morris Press. Image courtesy of the family of Un’ichi Hiratsuka

Master of the Compassionate Chisel: Buddhist Themes in the Prints of Hiratsuka Un’ichi

Meher McArthur 17 June 2020

Tracing movements in 20th century Japanese art-making

Three views of untitled work (The Layer of Self series) by Masayuki Tsubota, 2019. Gesso, pigments, and acrylic on basswood, 58.5 x 23 x 20.5 centimeters. Image courtesy of the artist and MOË Gallery. Photo by the author

Challenging Reality: The Painted Sculptures of Masayuki Tsubota

Meher McArthur 19 June 2019

Art as a vehicle for deconstructing our notions of…

The Stupa of Universal Compassion. From stupa.org.au

Great Stupa of Universal Compassion Brings the Dharma to the Australian Bush

Anne Wisman 8 January 2019

Stupa to house one of the world’s largest collections…

The monks and nuns of the temple take care of the snakes. From scmp.com

Buddhist Pagoda in Myanmar Offers Refuge to Snakes

Anne Wisman 24 October 2018

Reptilian inhabitants of Baung Daw Gyoke are…

The Chinese Bridge and Pagoda, St. James's Park, by Joseph Gleadah (Active 1800–50). Crown Copyright

The Secularization of Pagoda Imagery in 18th Century Europe and China

Guoying Stacy Zhang 25 January 2018

How the interaction of different cultural systems shaped…

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Tags:pagoda

Master of the Compassionate Chisel: Buddhist Themes in the Prints of Hiratsuka Un’ichi

Challenging Reality: The Painted Sculptures of Masayuki Tsubota

Great Stupa of Universal Compassion Brings the Dharma to the Australian Bush

Buddhist Pagoda in Myanmar Offers Refuge to Snakes

The Secularization of Pagoda Imagery in 18th Century Europe and China

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