
The Quiet Practice of Impermanence
Pure Land Foundation’s live sand mandala installation at OXO Gallery brought a contemplative touch to an iconic modern art institution

Pure Land Foundation’s live sand mandala installation at OXO Gallery brought a contemplative touch to an iconic modern art institution

Rebecca Wong speaks with one of Bhutan’s greatest masters of Sanskrit and Tibetan calligraphy, and why he teaches this rare and precious art

Born at the dawn of the 20th century and dying at the start of the 21st, this master was devoted to major reforms in Bangladesh

Joseph Houseal shared a meditation on those who live lives for the transmission of ancient performance practices

Dharamshala’s premier Tibetan artist pioneers creative reimaginings of exquisite thangka art, including a unique tribute to his adopted city

Inspired by Celtic clootie traditions and Buddhist sensibilities, a collaborative art project transformed discarded fabric and handwritten hopes into a river-like tapestry of interconnection and healing

Rebecca Wong channels a travelling dakini and takes us on a journey to monasteries in the Himalayas celebrating Saga Dawa

Joseph Houseal introduces a profoundly significant new project to reconstruct formal documentation of the ritual dance heritage of the Drikung Kagyu tradition.

The following essay was written as a response to “Borobudur’s Lost Crown: Why Theodoor van Erp’s Words Matter Today,” published by BDG on 4 May

Should Indonesia install a new crown atop its greatest Buddhist site? A Dutch engineer from colonial times can inform the debate

This Vesak, Sanjoy Chowdhury celebrates with a look back at how Buddhism rose, declined, and revived in India, the home of its birth

This year’s Vesak marks the Third Turning of the Dharma Wheel according to the Kalachakra tradition, making May 1 particularly potent